That's an idea that's more relevant now than ever. The latest hi-tech communications tools are meant to bring people closer together, however in Jonze's glistening vision of future Los Angeles it's pushing them further apart. So often a tightly-wound and intense screen presence, here Phoenix gives a sensitive, soulful performance as a man adrift in a technology-driven world. To be able to deliver the line "I'm dating my OS" with sincerity takes some doing, and it's a credit to both Phoenix and Jonze that they're able to strike the right balance of humour and heart to make this work. It's a weird and bonkers premise, but Jonze handles it beautifully and cajoles a wonderful performance out of Phoenix, who's two-for-two post I'm Still Here exile with this and The Master. The arrival of sex surrogate Isabella (Portia Doubleday in a mostly-wordless but highly emotive turn) is Samantha's attempt to add physical intimacy to their relationship, although this only ends up complicating matters further. ![]() Jonze plays the latter for awkward laughs brilliantly, cutting to black with only the sound of heavy breathing audible. For the fragile Theodore this new AI companion is just what he needs, and before long they're sharing long walks on the beach, chuckling at inside jokes and, yes, having sex. Samantha is Jonze's vision of a hi-tech Siri, constantly evolving as she trawls cyberspace taking in vast archives of human information to better understand her user. From there he begins to find solace in his new operating system OS1, dubbed Samantha and voiced in seductively husky fashion by Scarlett Johansson. At the insistence of old friend and neighbour Amy (Amy Adams) he gets back on the dating scene only to experience a disastrous evening with Olivia Wilde. Theodore lives a cocooned life, shuttling from home to work and back again with only marathon video game sessions punctuating the boredom. Phoenix plays Theodore Twombly, a slumped-shouldered everyman with a Ned Flanders moustache and high-waisted trousers still reeling after his divorce from Catherine (Rooney Mara). It's unlike any love story you've seen before, yet still carries the unmistakable mark of its director, who's working from his own script for the first time. Set in the not-too-distant future, this is a poignant, moving love story for the Apple age. Breaking the paradigm once again, writer/director Spike Jonze has created a thought-provoking love story that reflects the impact of ever-evolving technology on our personal lives.Play icon The triangle icon that indicates to playĪfter jumping into the world of big budget filmmaking with Where the Wild Things Are, Spike Jonze returns to a more intimate story with Her, a tale that casts Joaquin Phoenix as a lonely greetings card writer who falls for his operating system. ![]() As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual and unconventional love for each other. Upon initiating it, he is delighted to meet "Samantha" (Scarlett Johansson), a bright, female voice, who is insightful, sensitive and surprisingly funny. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive entity in its own right, individual to each user. ![]() Set in the Los Angeles of the slight future, HER follows Theodore Twombly (Joaquin Phoenix), a complex, soulful man who makes his living writing touching, personal letters for other people. From the unique perspective of Oscar®-nominated filmmaker Spike Jonze (Being John Malkovich, Adaptation) comes an original love story that explores the evolving nature - and the risks - of intimacy in the modern world.
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